New Sci-Fi Series, “Deep Throat 69,” Sucks [parody]

Have you seen the best new show to hit TV in years? That’s right, I’m talking about Deep Throat 69, new from Paragraph, the same company that brought us Star Pecker. Deep Throat 69 is the name of a space station, orbiting around Babylon 5 in the ZZ Plural Zed Alpha sector, many parsecs from Earth (a parsec is a measure of distance that is impossibly far to convey, but can be reached in about three weeks by a Marie Celeste class starship, traveling at Warp 42). It existed before humans explored that portion of space, and is presumed to have been built by the same people who are building SUB III. Starfleet is currently using the station as a toll booth, as it is conveniently located at the end of Interspace 95.

Deep Throat 69 is commanded by Abraham Sissy, who is portrayed by Anyway Books. Books is a classically trained Shakespearean actor, last seen on TV dressed in black leather as a hitman, frequently saying, “Yo”. Books brings a commanding presence to his role as (a) Sissy (commanding means having very little or no hair and speaking quite loudly). Sissy, a single parent, was formerly starship commander, but was forced to command the far outpost after it was learned that he had hired an illegal alien to take care of his son, Jake (We’re talking

    really

alien here, as in the dude was blue, had antennae, and had a strange craving for Brussels sprouts). Books must be happy with his increased vocabulary, as he is now able to say things like, “Fire photon torpedos,” and “Yo, beam me up!”

Transporter chief O’Fryin was beamed over from the crew of the U.S.S. Enterprise Zone, the stars of “Star Pecker: The Next Penetration”. Fans of that show will be relieved to know that he still utters his best line, “Stop calling me Scotty!” O’Fryin is also joined by his lovely wife and their kid.

Jax-in-the-box is a very unique creature. A woman in a fast food restaurant ate a tainted hamburger that made her hallucinate and swallow a bottle of tequila. Unknown to her, the worm at the bottom of the bottle was still alive, and sentient. The body of the creature is that of the woman, the only hint of her inhumanity being that she always has as strong craving for burritos.

As we later discover, Commander Sissy met the worm earlier in his career (previously in a male form), but refused to swallow.

Major Krrrch! (to reproduce this sound, just stick your finger down your throat), Sissy’s second in command, is a Bewhoran. Bewhorans are a race of people that look like a humans, but could really use some plastic surgery in the nasal area. The Major, being a woman, is forced to wear a tight fitting uniform emphasizing her breasts, to the ever-lasting delight of male Expulsion editors. She took her tight fitting jacket off in the first episode, causing most of the male staff to breathe heavy.

Nodoze is the head of security for Deep Throat 69. He is made up entirely of used condoms, and is able to form himself into anything he can think of. For an unknown reason, he really gets a kick out of making himself into jello, then exploding when anyone eats him. He also enjoys turning himself into a (Trojan) horse. The effects used in this involve the computers used to create the special effects in 1991’s hit movie, Sperminator II.

The producers were smart and hired Ross Perot to play the Faringo, Spork. He brings a much needed comic impact to the show in his continued lectures to Sissy on how he should be Commander. Mitilik redrum redrum redrum… excuse me, I don’t know what I was thinking. Anyway, Perot spends most of his time talking about the Federation’s doomed economic program and hitting on the Clingons women, an alien species that looks something like the brown streak in a pair of dirty underwear.

The villains on the show are the Corpsepasiians, a race of undead zombies who will stop at nothing to eat human food. However, they have poor eyesight and have mistaken Marriot food for human food, much to the delight of Deep Throat 69, who have given them all of theirs. In addition, the replicators keep making copies of the Republican economic program, fortunately short as it is.

The main gathering place on Deep Throat 69 is the Promenade, an intergalactic cantina. Two frequent visitors are Woodward and Bernstein, two reporters who keep asking to meet Deep Throat, then get very violent when everyone sends them to the doctor for observation.

The main action centers around the station’s function as a toll booth. The rush hour traffic snarls up the station every day, and Sissy is forced to disintegrate all drivers who drive on the shoulder. Coming soon to Deep Throat 69 is P, often a guest star on “Star Pecker: The Next Penetration.” P is an omnipotent being, modeled after Gene Roddleberry, creator of “Star Pecker.”

A new position at Deep Throat 69 is Director of Docking Services. The new director will have the responsibility of ticketing all starships within 30 milliseconds after docking, except for ships owned by Docking Services or Pocking Services directors, of course. All starships left unattended will be towed and dumped into a black hole. Deep Throat 69 hopes to generate approximately 70% of its income through Docking Services.

[Originally published in Expulsion, an independent George Mason University student newspaper]

The Death of Superman

Let’s start off this column with a discussion of what was probably the biggest event in comics in 1992 and threatens to continue into ’93: the death of Superman.

Let’s get one thing straight: DC Comics, which has been creating monthly Superman comics since 1938, is a business. It is owned by Time Warner Inc., who are responsible fully to their stockholders. The stockholders only want one thing out of Time Warner, which in turn only wants one thing out of DC Comics: money.

Okay. Now, Superman may be the most well known, as well as one of the oldest comics characters, but in comics old and familiar is boring, which translates into poor sales.

DC has been publishing for a while, so they’ve come up with a number of schemes over the years to try to improve sales. The 50’s and 60’s saw the use of the imaginary story, with stories like “What If Superman married Lois Lane” or “What if Superman lost his powers”. The stories came with disclaimers, but the sales were good. In the 70’s and 80’s, Superman was reinvented several times. His origin was updated (so that instead of him being 40, he was now 27), and new themes were introduced (Clark Kent became a television reporter, villains like Lex Luthor got more powerful). The most thorough reinvention was for Superman’s 50th anniversary in 1988. Many parts of his past 50 years were cut, such as the existence of Superboy, Supergirl, the Phantom Zone, and Krypto the Superdog. Sales were much improved, but after the popular writer/artist who had controlled this left, sales started to slip again.

In 1990, the current writers on the Superman books (three at that time; a fourth was added in 1991 to have a Superman book out every week) decided that they would have Clark Kent pop the question to Lois Lane, in Superman (v.2) 50. This created a surge of media interest and the book sold out. However, this did not translate into increased sales in general in the Superman titles. Take note that there is one way to get out of an engagement without argument.

The Superman writers tried a number of different storylines in 1991, but none proved wildly successful. In early 1992, they were having a meeting when the topic of killing Superman came up. It’s their character; why not? Worked out that day was where and how he should die. They decided to announce it publicly way in advance (they had taken heat over not releasing the engagement plans), and came up with a gigantic alien mental patient to fight Superman (mental patient later changed to escaped prisoner in the interests of PC).

DC was fortunate and released the news about Superman’s death on a slow news day. Every media organization known to man covered the story, and Leno and Letterman talked about it for weeks. The story itself was a long, drawn out “Rocky” movie, a six issue slugfest ending in a typically cliched fashion: Superman’s last punch kills Doomsday, but he then succumbs to his injuries.

The recent storyline has been a huge success. For months, all four books, plus some issues of Justice League America have been selling out. The collector’s edition of Superman 75 (where he dies) has been commanding prices of $25 to $50 around the country. Superman 75 was the third biggest selling comic in history (@4 million), and the fastest selling ever (four printings in a month). The best way to catch the story for yourself is to pick up a copy of the Death of Superman trade paperback, a compilation of the whole storyline, now available at your local comics shop.

Wait a minute, Superman’s dead, right? DC screwed up because they can’t publish a book without its title character, right? Isn’t that the end of the story? Not quite. Most comics readers said “Superman’s dead? So what?” Why? Because death in comics ain’t quite like real life.

If you recall, there was a small media furor in 1987 when DC killed off Robin. However, that wasn’t the original Robin. The original one had a new costume, and the new one had only been around three or four years. Batman has since found another one. In comics, heroes and villains die all the time and come back to life. Readers have become immune to death. What may be original is how Superman comes back.
From Superman’s death until now, the four Superman books have focused on the supporting characters, as well as the attempts to revive Superman and perform an autopsy on his body. Jimmy Olsen has enjoyed success as a result of his exclusive photos of Superman’s death. Lois Lane and Clark’s parents have been shown dealing with his death on a personal level. Jonathan Kent, Clark’s father had a heart attack, slipped into a coma, and apparently died as the Superman titles suspended publication.

Several “one-shots”(one-issue specials) will be published in the next few months will detail how Metropolis handles life without a Superman, especially the large crime wave once criminals realize there’s no one to stop them.

The big news happens on Friday, April 16 when Adventures of Superman 500 ships. But how? Isn’t Superman dead? Yep.

In the double-sized issue, Superman meets his foster father, when both of them are traveling “towards the light”. Their combined force of will enables them to stop themselves passing on to the other side. At the end of the story, Pa Kent awakens from his coma, but Superman is nowhere to be found.

Two weeks later, on Friday, April 30, all four Superman titles ship on the same day, starting a new storyline – “Reign of the Supermen” – That’s right – Supermen. Four different super-powered individuals claim to be the Man of Steel.

Action Comics features a cold, logical (Vulcan?) vigilante who will kill if he thinks it’s necessary. Adventures of Superman features a “superboy” who appears to be a young clone of the original, and apparently has no memories. Superman features a cyborg from space, who claims to be Superman, retooled for the future. Superman: The Man of Steel features a steelworker, John Henry Iron, who was buried alive in the rubble when Superman and Doomsday fought, trashing Metropolis. He creates a high-tech metal suit, becoming a true man of steel.

The kicker is, any or none of these individuals could be Superman. They could be split personalities of the original, or the original is hiding out. In any case, it is unlikely that any of these individuals are Superman, since Clark Kent is nowhere to be found. If sales increase dramatically on one or two titles, that could affect the eventual outcome. If Adventures with the super-boy is successful, watch for him to be expanded into his own title.

Early predictions from fans saw Superman coming back as a grim and gritty vigilante, which is reflected in one of the Supermen.

[Originally published in Expulsion, an independent George Mason University student newspaper]